How does the botanical elegance of a 19th-century artist find new life in contemporary design?
In this episode of Kaatscast: The Catskills Podcast, host Brett Barry follows the enduring influence of Emily Cole—daughter of Hudson River School painter Thomas Cole—whose delicate hand-painted ceramics helped define her artistic legacy. Cole was a founding member of the New York Society of Ceramic Arts in 1892, and she advocated for china painting to be recognized as fine art. Her floral porcelain was “highly prized and much sought after,” admired for its lifelike detail and expressive form.
In a special pop-up collaboration, tattoo artist Kelsey Lue brought Cole’s botanical watercolors—on exhibit at the Thomas Cole National Historic Site—into a new medium. Clients at Hummingbird Tattoo were invited to choose from Emily Cole–inspired designs, bridging past and present through artistic interpretation.
The exhibit, titled EMILY COLE: Ceramics, Flora & Contemporary Responses, is on view at the Thomas Cole National Historic Site through November 2, 2025.
Featuring insights from curator Amanda Malmstrom and moments from the tattoo chair, this episode celebrates Emily Cole’s creative spirit and the artists who continue her legacy through reimagined design.
Image: Emily Cole was a professional artist, who painted dynamic botanicals on porcelain and watercolors on paper. She exhibited and sold her art in New York City and the Hudson Valley, received critical acclaim, traveled internationally, studied at the National Academy of Design, and was a founding member in 1892 of the New York Society of Ceramic Arts, an organization that advocated for ceramics to be exhibited in museum galleries. (Credit: Thomas Cole National Historic Site)